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| Terry Kath (1946-1978) |
Here are some of my favourite Terry Kath moments with Chicago:
"I'm a Man" (from Chicago Transit Authority, 1969)
The guys take a classic Steve Winwood/Spencer Davis Group tune and make it completely their own. Terry makes it sound almost like heavy metal with his aggressive guitar solos, combined with Danny Seraphine's frantic drumming. It also provides a rare opportunity to hear Terry share a lead vocal with fellow leads Peter Cetera and Robert Lamm.
"South California Purples" (from Chicago Transit Authority, 1969)
Written and sung by Robert, what makes this avant-garde piece stand out for me is Terry's guitar riffs. It even includes a quote from the Beatles' "I Am the Walrus" near the end.
"Make Me Smile" (from Chicago, aka Chicago II, 1970)
This is without a doubt one of my all-time favourite Chicago songs. Sung by Terry, it is the first movement of the epic "Ballet for a Girl in Buchannon" piece (it's also home to the classic "Colour My World"). The version most people are probably familiar with is the edited single version, which I like just as much as the longer album track. "Make Me Smile" became Chicago's first major hit, peaking at #9 on the Billboard Hot 100.
"25 or 6 to 4" (from Chicago, aka Chicago II, 1970)
I think most people who listen to rock music know this song. Though Peter sings lead, Terry lends a lengthy guitar solo during the instrumental break that makes the song a classic. If you aren't familiar with this song, I recommend you hear it in all its glory from the album itself. It's better than the edited single version because it cuts out most of the guitar solo.
"Dialogue, Parts 1 & 2" (from Chicago V, 1972)
The song consists of a musical social/political debate between Terry and Peter that ends in a celebratory chant ("We can make it happen"). Terry's singing and guitar playing keep the momentum chugging along.
"Byblos" (from Chicago VII, 1974)
Terry wrote and sang this intriguing story about an encounter he had with a woman at a club called Byblos. This allegedly occurred while the band was in Tokyo. I consider this track to be one of Chicago's greatest non-hits.
"Oh, Thank You Great Spirit" (from Chicago VIII, 1975)
This is Terry's homage to Jimi Hendrix, who was one of his major influences. Hendrix toured with Chicago in 1969, and told Terry personally that he played the guitar better than him.
"Hope For Love" (from Chicago X, 1976)
One of Terry's tender and haunting ballads, he sings it with deep passion and conviction that evokes some of Ray Charles' soulful numbers. You can hear the Ray Charles influence rub off on Terry in this recording.
"Mississippi Delta City Blues" (from Chicago XI, 1977)
Originally performed live during Chicago's concerts in 1972, Terry took this song to the studio for their 11th album. It is a rocker that opens the album, which sadly would be his last. An early demo version of this song is available as a bonus track on Rhino's 2002 reissue of Chicago V.
"Little One" (from Chicago XI, 1977)
The closing number from the same album acts as a bookend to it. Written by Danny for his two young daughters, I used to believe that it was written for Terry to sing to his one daughter. It is a beautiful song, though it sometimes makes for an emotional listen knowing that it was one of the last songs he ever recorded. He died about four months after the album's release, just one week shy of his 32nd birthday.
Honourable mentions: "Free Form Guitar" (from CTA), "Colour My World," "In the Country" (both from Chicago II), "Wishin' You Were Here" (from Chicago VII) and "Tell Me" (solo recording from the 1973 film Electra Glide in Blue).
Last week I read exciting news that his daughter Michelle has received enough donations from fans to work on a documentary film about her father's life. It is tentatively titled Searching for Terry. Hopefully it will finally give Terry his place as one of rock's greatest performers.
